Timo van Luijk – Frederik Croene LP Ipnopedion – La Scie Dorée
second, numbered edition of 45 copies on ‘smoke vinyl’ with silkscreened sleeve, insert and download code. One of the most intriguing album I’ve heard in years !
$38 SOLD OUT
Mark Glynne & Bart Zwier ‘Home Comfort’ – La Scie Dorée
“Very pleased and grateful to announce this ‘Home Comfort’ reissue by Mark Glynne and Bart Zwier, originally self-released in 1980.
Maybe a bit of an unexpected title to appear in the LSD catalog but my love for this album goes back to my late teenage years and has had an addictive effect since, like a spleen infused magnet.
With this album Glynne and Zwier, based in the Netherlands and connected to the Ultra scene, drew an insular blend of intimate post-punk and chamber (bedroom) songs with surreal scenic reflections. Probably its naked singularity defying categorization has left it so unnoticed, even 43 years after the making.
It also features a reciting Marlène Dumas still quite unknown at the time. With biggest gratitude to Mark Glynne who instantly felt confident with my proposal to reissue this silent witness of lasting beauty.
My long time Japanese friend You Ishihara (White Heaven, The Stars) who bought the LP when it came out in 1980 still considers it as one of his all-time favourites. This is what he writes about ‘Home Comfort’:
“Resignation and fear in a desolate mental landscape. This album, which exists like a shelter for those who have quietly escaped through the backdoor of the world, vividly reflects the inner depths of the devastated Amsterdam of the early 80’s. A beautiful and sad, unmistakable masterpiece.”
LP $25
Nicole Lachartre 3LP box Metphon
Second and “cheaper” edition, vinyls come in a regular slipcase
First ever release of French composer, musicologist and writer Nicole Lachartre (1934-1991). This 3LP set comprises most of her electronic music and musique concrète compositions recorded in the 60’s and 70’s, all previously unreleased. Lachartre had a classical formation, studied with a.o. Darius Milhaud, Iannis Xenakis and Michel Philippot. Her broad formation and interest as well as her profound commitment and singular vision created a solitary voice even within the field of electronic music and musique concrète, strangely enough unheard till this day. Her first tape composition from 1968 was recorded in Pierre Henry’s Apsome studio and most of her other electronic and electro-acoustic compositions included in this box set were recorded at the IPEM in Ghent.
$55
Cuticles LP Major Works – Siltbreeze
Oamaru, located about 80 miles north of Dunedin on New Zealand’s south island, might seem like the last place you expect to find a prodigious racket like Cuticles, but ain’t that a kick? You just never know. Formed around the nucleus of Austen McMillian, Matthew Plunkett (ex Trendees) & Lisa Preston (Nux Vomica, The Portage) a couple years back, they’ve been stacking up the hits & on ‘Major Works’, it’s time to cash in. There’s 18 tracks here & Cuticles chew through’em w/abandon. Someone just yelled out from the tree next door, “Sounds like the Pastels! With guns!” One could make a case for the South Island Sound coursing through their veins (they do live there after all), for the sheer abandon-pop that gushes off these grooves, but to these ears is heard a mutant strain of Shoe This High meets The Swingers. But there are no wrong answers, just bathe in the Cuticles hyper-mesmerizing aural swirl.
SOLD OUT
Yuzo Iwata LP LP “Daylight Moon” Siltbreeze
2023 ltd repress!
Daylight Moon is Yuzo Iwata’s 1st outing since his debut lp, Drowning In The Sky, got the green light in 1999 on the legendary Org label. While Yuzo’s been living stateside for a couple of decades, his roots, style & fluidity harken back to the Kichijoji Minor days of the late seventies Tokyo underground scene. He also put in some time as a member of Tori Kudo’s Maher Shalal Hash Baz early on & there’s no one else in Philadelphia who can make that claim. His pedigree is legit. As is his playing. For fans of Kousokuya & Hallelujahs especially + PSF & Org label output overall.
$24
Aube CS Plangent recoil – Advaita
special and nicely done packaging as always with this label, ltd and numbered to 100
Originally released in 1996 on Gabriele Giuliani’s(DEAD BODY LOVE, etc.) Less Than Zero label , will be reissued on cassette.
We have reproduced the original A5 size double layer jacket, and also produced a double layer jacket in regular cassette size to imitate G.R.O.S.S.’s GR series.
The sound uses only metal as the source material, and the scene in which the quietly echoing metallic sound gradually emerges like a gigantic illusion is perfectly visualized by the double layer of silver paper and geometric patterns represented on the jacket.
Akifumi Nakajima’s style of examining a single material and bring out its fullest potential is again rooted in the Japanese spirituality.
$22 SOLD OUT

CHI TO SHIZUKU – 血と雫 je prie pour que la goutte ne tombe pas
LP ltd to 400, black vinyl, 2 color silkscreened jacket with obi (white, tan), inserts and a postcard
Label : An’archives Réf : [An’40]
Liner notes by Michel Henritzi
Printed by Alan Sherry
Photo : Akiyama Noriko
Release date : November 10th 2023
https://anarchiveslabel.bandcamp.com
Contact – wholesale : anarchives@sfr.fr – anarchiveslabel@gmail.com – clerouley@free.fr
Distribution in UK : This Ain’t Distribution / Japan Blues
Shop in Paris & distribution in France : Souffle Continu
US : Worldgonemad
Home | WORLD GONE MAD DISTRO (bigcartel.com) Aaron Muchanic
Chi To Shizuku
je prie pour que la goutte ne tombe pas
je prie pour que la goutte ne tombe pas (I pray that the drop does not fall) is the first international release by Japanese trio Chi To Shizuku. While they have released five albums and a 7” in Japan, their spectral, haunted rock songs haven’t yet reached a much wider audience overseas. With this album, then, a live recording taken at Koenji HIGH, Suginami, Tokyo on 23rd November 2021, the unique, quartz-like character of Chi To Shizuku’s music is writ large, the bleak bliss of their songs carved onto twelve-inch vinyl.
Perhaps the best-known member of Chi To Shizuku, at least for audiences with an ear turned to Japanese psychedelia, is drummer Takahashi Ikuro, known for his membership of almost every group worth a damn from that scene – Fushitsusha, Nagisa Ni Te, Ché-SHIZU, Kousokuya, High Rise, Maher Shalal Hash Baz, LSD March, the list goes on. But the core of Chi To Shizuku’s music is the collaboration between vocalist, bassist and lyricist Morikawa Seiichirou, and guitarist and arranger Yamagiwa Hideki. Morikawa is a member of long-running punk/goth group Z.O.A., and has also played with YBO2, Zzzoo, and as collaborator with Takeshi and Atsuo of Boris in A/N; he’s also recently been performing with Mitsuru Tabata. Yamagiwa’s history takes in stints with Katsurei and Cock C’ Nell, and he also recently guested with la scene 裸身.
All this contextual information does relatively little, though, to prepare you for the unique vibration of Chi To Shizuku’s lustrous songs. They shimmer in the same half-light, perhaps, as Shizuka and the quieter moments of LSD March, sharing a similar poise and classicism, and there’s a tenderness and wracked poetry to Morikawa’s voice that reminds of the emotional intensities both of traditional Japanese folk, and of British folk music: on “Musuu No Nemuri No Naka De Kumo Wo Tukamu”, the combination of his singing, backed with gorgeously plangent guitar, reminds of no-one so much as it does The Pentangle or Spriguns Of Tolgus. Chi To Shizuku’s love for the ballad as form gifts their music an archaic, sometimes arcane resonance, and from what you can hear on this album, it’s clear they’re in love with graceful melancholy.
But this is not a folk album, by any means; it just shivers with the same eternal spirit. There are also hints of prog rock, and you can catch some passages of scratchy, distended free rock, on the extended spirit invocation of “Nanhito Hanhito”. je prie pour que la goutte ne tombe pas is an extraordinary album, a melancholy surprise, that reminds dedicated listeners of the seemingly bottomless well of great music to be found via the Japanese underground in its many forms. Perhaps Michel Henritzi says it best, though, in his liner notes, when he writes, “Chi To Shizuku’s music reminds us that our life is a dream that lasts only a season, and that oblivion will follow.”
25€
Umeko Ando 2 LP “Upopo Sanke” Pingipung
“Upopo Sanke“ means “Let’s sing a song” in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric, hypnotic quality in a vocal style that is perhaps best described as elastic, relaxed and breathing. The lyrics praise the lush nature of the islands. They mention the deity Kamuy, who can appear in the form of animals such as bears or swordfish, and the singers repeatedly ask the audience to dance. Listening to this music can be a meditative experience. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.
“Upopo Sanke“ was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki Kano about the stories of the 14 songs.
Oki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.
The Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation. This music would not exist if the Ainu had not maintained their culture in remote and secret communities against Japanese hegemony. Thanks to Oki Kano, Umeko Ando’s interpretation of Ainu music has been recorded in great detail from within the community. “Upopo Sanke” is a treasure of the Ainu heritage.
“Upopo Sanke” was mixed again in part by Oki Kano before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic.
This album was the second album by Umeko Ando, the follow-up to “Ihunke”, originally recorded in 2000 and also re-released in 2018 by Pingipung together with Oki Kano.
$30
Umeko Ando 2LP “Ihunke” Pingipung
2nd edition
Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan.
“Ihunke” was her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. It was released on CD in Japan only and is finally available on vinyl (2LP + linernotes, DLC included). “Ihunke” is following last year’s single “Iuta Upopo” [Pingipung 58, incl. M.Rux Remix] which had been received with overwhelming enthusiasm and was quickly sold out.
The 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest.
$30
Dai Sayozoku CD “Dai Saoyozoku at Bear” – Tall Grass records
Dai Sayozoku (大サヨ族) is Sayozoku Septet avant-garde, free music, improvisational ensemble. live at Namba BEARS ,Osaka on 2021 August19th centered around Sayaka Tenjin and Yonju Miyaoka.
Jere Kilpinen – Shakuhachi, Drums
Chie Mukai – Voice, Recorder, Percussions
Fumi Sato – El-guitar
Shicaro Takahashi – Recorder, Toys, Percussions, Voice
Ai Sometani – Recorder, Toys, Percussions
Sayaka Tenjin – Gopichand, Recorder, Percussion, Voice
Yonju Miyaoka – Recorder, El-guitar, Hichiriki
$10
Albedo Gravitas CD “Luminescence” Musick Atlach
Albedo Gravitas are derived from the improvised duo group called Albedo Fantastica of Keiko Higuchi and Sachiko established in 2015 joined by Shizuo Uchida to be a trio. The kaleidoscopic voices of Higuchi and Sachiko intermingling with the piano, bass, electronics and melodica, seem to stagnate and cut up the space which to result to create their only unique improvisation. They have been constantly performing in Tokyo and released their first album Eihwaz from the French label An’archives in 2021.
This very latest one is their first studio recorded album ever. The music here appears to be a roaming in the tranquil darkness, breathing deeply and tracing the spiritual vein of gold while spotting luminescence.
$15 we’re doing some distribution for this release, shops and mailorders can ask for wholesale
Pan CD “Colar smells sweet” – Self Release
Naoki Otani / Vo,Gtr,Vn,Sampler
Richi Tsukazaki / Gtr,Dr,Vo
Yuto Ashida / Dr,Sampler,Pf,Tp,Vn
Shun Noami / B,Vo
Satoshi Torii / Dr,Fl
Koji Shibuya /Pf
Zach Phillips /Vo,Dr
Shiro Kobayashi / B,Tp
recorded and mastered by Yuto Ashida and Zach Phillips
All songs by pan except for “We will be” special thanks Tori Kudo
$16
Suishou No Fune 水晶の舟 LP The wind is spring – There is a rainbow in the sky – Love is hiding in the waves
LP ltd to 275, black vinyl, 3 colors silkscreened jacket with obi (white, black or kraft), inserts and a postcard Liner notes by Jon Dale
Printed by Alan Sherry
Release date : sept. 15th
Since forming in 1999, Suishou No Fune (A Ship Of Crystal), the vehicle for long-term musical collaborators Pirako Kurenai (guitar, voice) and Kageo (guitar), have been one of the most compelling groups in the Japanese underground. Their long, languorous songs are devastating in their simplicity, as though the gently sung ballads of the Velvet Underground’s third album were re-scored by the legendary Japanese free-rock gang, Les Rallizes Denudes. Their new album, 風は春、空は虹、愛は波間に隠れている (The wind is spring -. There is a rainbow in the sky – Love is hiding in the waves.), documents a live performance from May 2021, at Silver Elephant, where the duo are joined by Matsuedo Hideo on bass, and Mark Anderson (Greymouth, Mysteries Of Love) on drums.
The duo of Pirako Kurenai and Kageo have come a long way since their early performances and self-released CD-Rs – in the intervening decades, they’ve released albums on P.S.F., Holy Mountain, Important, Archive, 8mm and Essence, amongst others, each album another manifestation of the duo’s ever-changing same. You can hear them patiently toiling over these beauteous songs, with their choral melodies and lush waves of tonology, Kageo’s guitar radiating bejewelled chimes and dense passages of texture, pulling the songs into a black hole of quietude and sadness. And as Kurenai once told journalist Phil Kaberry, “Suishou No Fune’s songs, sounds and words are often born from heartrending feelings like sadness and pain”.
The wind is spring. There is a rainbow in the sky. Love is hiding in the waves begins with the deep blues of “Cherry”, a drawn-out drift-song that pivots on a most elegant two-chord mantra, as Kurenai sings, siren-like, amidst the sheets of noise Kageo peels from six strings. There’s something painterly about the duo’s playing here, and indeed, Kageo was a painter and Kurenai was a doll maker and watercolour painter when they met in the late ‘90s. On the flip side, a spare, spaced-out improvisation, “A Rainbow Is Floating”, acts as a prelude to “Endless Descent”, one of Suishou No Fune’s most remarkable songs, where a mesmeric guitar line endlessly coils and twines around the flicker and toll of Kurenai’s hypnotic one-chord strum. It’s a bruised, quietly desperate ending to an album that has an acroamatic air, as though the songs were transmitting to a cabal of lost spirits.
digital only :
https://anarchiveslabel.bandcamp.com/
As we’re almost sold out source, buyers can purchase from Souffle Continu shop in France and some more shops in Europe & UK.
https://www.soufflecontinu.com/
US buyers can order from https://worldgonemad.bigcartel.com/
A very few copies will be also available at Ergot records in NYC
26€ SOLD OUT