Makoto Kawashima

Makoto Kawashima CD “Homo sacer” P.S.F

Re-stock of the very last CD released  in 2015 by the legendary P.S.F records label.

I can’ t tell you enough how I’m moved everytime I have this CD in hands : I remember how Ikeezumi-san was so excited when this CD was released, how he considered Makoto being as one of the best player from his generation. Different from Urabe, Makoto has maybe a more lyrical and direct style, there’s so much feelings that explode into the listener’s face….

I only have a few copies, no idea if there’s many remaining copies.

$20

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Makoto Kawashima CD “You also here” Homo Sacer

Ltd to 100 with no distribution ! Makoto Kawashima is still considered as a new comer but believe me he’s getting stronger and within 2 years (whose Homo Sacer CD was the final release on P.S.F records) he’s been recording some of the most moving music. Somewhere between Ayler, Urabe and Abe but with a very singular lyrical mood between melancholy and rage.  Pick it up before it’s gone for collectors !

$15

Makoto Kawashima CD you001

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Sarry – Fuji Yuki + Sachiko

Sarry CD “Exspiravit Planeta” Jigen

Comes in a cradboard sleeve with obi.

New album by Fuji Yuki and 821. This new album is really a nice step as it sounds darker and more minimal, far from the Dead Can Dance sound. Bass turns into a cello, a bit of percussion and noise. Here that works fine, less is more

$16

sarry exspiravit_planeta

Fuji Yuki CD “Orient” Mu planet

CD version of the LP version released on Bambalam, comes in a nifty cardboard sleeve

$16

Fuji Yuki

Sachiko CDR “Jangala flamed with deep red” Reverb Worship

Re-stock of this excellent droney album by Sachiko, last copies

$9

Sachiko jangala001

Sachiko CDR “Bird Songs in a Deep, Hollow Tone”” Reverb Worship

re-stock, last copies of one of my favorite Sachiko album with some more acoustic sources.

$10

Sachiko bird  sachiko bird 2

 

Albedo Fantastica CD

Albedo Fantastica 

Keiko Higuchi + Sachiko

“Culvert and Starry Night”

CD ltd to 250
Free Wind Mood  series
Label : An’archives
Ref : [An’15]
7 inch silkscreened jacket with obi (red or grey), insert and postcard
Printed by Alan Sherry

Albedo Fantastica  is the duo of  Keiko Higuchi  and Sachiko. Both of them are well known names to those who are evolving in the Japanese underground waters since each has been involved in many projects and each has a consisting discography on labels as Musik Atlach, Improvising Beings, Utech.  Their respective backgrounds are maybe a little bit different but they share a common interest in different genres from jazz and rock to free improvisation and have collaborated with a cast of various musicians in the likes of  Cris X, Fukuoka Rinji, Kawaguchi Masami, Uchida Shizuo, Shin-Ichiro Kanda…

Albedo Fantastica isn’t exception to the unexpected. This album is one of their most powerful performances and their first released on CD.  35 minutes of free spirits calling voices, piano, electronics and more , using all sonic waves to take any good listener to unknown shores. For sure it’s not a comfortable & easy album as the entire experience is rather intense and does not bear a distracted attention.  It requires engagement. Magicians, witches, shamans – just leave your landmarks behind you, as the whole performance will hook and embark you in an intense and unpredictable sonic trip.  Dive into a new dimension, call it psychedelic if you need to label such a bloody and uncompromised music – a listen that is not about to fall into oblivion with these two free women beating space and senses.

Pricing

12 EUR

France : 14 EUR en lettre

All destinations : 17  EUR including airmail

Paypal : clerouley[at]free[dot]fr

Special price with any An’archives LP : 26 EUR + postage

front red001 back red001 Albedo 2 versions

Albedo back red

 

Seiji Onishi, Gap on Omega Point

Great White Light LP Omega Point 1

Great White Light organized by Seiji Onishi, Kazuo Kawasumi, Mitsuyoshi Shioya, Goji Hamada performed at the Kishi Memorial Hall in Shibuya, Tokyo, on February 13, 1971. Ten years after the performance, Onishi released a recording of it in LP format as an appendix to his collection “The Works of Seiji Onishi 1966 → 1981”, hereinafter referred to as “Works”). Given that “Works” was published in a small edition, and Onishi moved to Belgium soon after, it was difficult to get our hands around this documentation of the use of sound in the Japanese art of the 1970s. A reissue of this recording is Japanese Art Sound Archive’s 1st LP release.

Great White Light was full of noises created by the wind from the air blowers hitting the microphones. The artists stood in the center of the venue surrounded by the devices: six loudspeakers and air blowers, all facing outward, with a fixed microphone in front of the air outlet of each blower•3. Seats for the audience surrounded the circle, and a beam projector was set next to the wall. During the performance, Onishi operated the transformers of the blowers, and Shioya the lighting. Hamada performed his “action voice” with four microphones•4. In addition to this setup, Taj Mahal Travellers joined as a guest performer. Initially, they had planned to perform only with the blowers and voice, but just before the concert, they got suddenly overtaken by pre-performance anxiety and decided to invite the guests.
(note: this reissue was made from original LP, and some sound problems – slight surface noise and vibration – are on recording.) Ltd to 300, just incredible, noisy and libertaire !

$36

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DSCN8876 DSCN8877 Great White Light LP

Gap 2CD “Practical Concert” Omega Point

GAP is an improvisation group which was founded by Kiyohiko Sano, Masaru Soga and Masami Tada in the Mid 1970’s. Now, there are not so many people who could remember their name but since they performed a gig after 40 years in 2017, their unknown sound source was rediscovered by the world. From the early time, they played oscillators and synthesizers, adding to simple self-made instruments, and made a free improvisational performance which is comparable to Taj-Mahal Travellers. Especially for Tada who was under tutelage of Takehisa Kosugi, GAP was a missing-link which lead him from East Bionic Symphonia to Marginal Consort.

DISC 1: Practical Concert – part 1_31’53”, part 2_16’24”
DISC 2: Eros Music – 46’49”

$29

gAP 2cd002

Gap 2CD “Practical Concert”  + Poster  special edition Omega Point

Limited to 50

This edition is added original poster “Katakata News” (issue no.2 printed in 1978, A1 size) on regular 2CD “Practical Concert”. “Katakata News” was a publication that reported on workshop activities at “Katakata Music Classroom”, which GAP member organized for elementary school students. On July 16th, 1978, a workshop has been held at a youth culture center in Chiba and was featured in the second issue of the News published in September, 1978.

Unfortunately this poster is written in Japanese only, but a sheet of English explanation for the bulletin is added by OMEGA POINT. In paper bag, limited 50 copies.

$52 only a very few, last copies

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Yasumune Morishige /  Reizen CD “Music For Piano” Omega Point

This new recording is collaboration by Yasumune Morishige and Rezen.
Yasumune Morishige is one of Japan’s most unique voices of the cello, improvising musician. His sound is not only hard edge and deep but also sensitive, however, he has played with other artists almost than solo.
Reizen has acted as ambient unit Nerae until several years ago. He plays guitar drone now, and the sound was released on PSF and Fylkingen.

In this recording, they played inside (and prepared) piano only. Especially Morishige’s solo piano play is extremely rare. Reizen’s sound is made from wires of piano vibrated by handy fan. All tracks consists of their solo playing.

1st edition: metallic blue cover (ltd.90)

$17

Morishige reizen001

Yasumune Morishige /  Reizen CD “Live in Hong Kong” Omega Point

$16

Morishige reizen live002

Somei Satoh CD “Echoes” Omega Point

Back in stock ! Great Classic

$18

Somei Satoh Echoes003

Kuniharu Akiyama CD  “Environmental Music for Dining Room of Athletes’ Village in Tokyo Olympics 1964” Omega Point

From participation in the early FLUXUS to giving an introduction of FUTURISM, Kuniharu Akiyama (1929-1996), a renowned music critic, was involved in a vast range of activities. Particularly in the 1960s, he recorded a lot of music on tape for himself. To our surprise, the music compiled on this CD was actually discovered from a series of ambient music pieces played in the Athletes’ Village at the Tokyo Olympics! During this period, Akiyama was fascinated by the sound of Sanukite stone from Sanuki, Shikoku island and he composed several ambient music pieces including this one. Despite the detail of the work have been unknown as the composer was already passed away, a guru of electronic musicologist, Koji Kawasaki, managed to reveal everything behind the piece.

$18

Akiyama omega003

Takashi Matsudaira “Extended Voices” Omega Point

Extended Voices, a compilation LP album released from Odyssey, a former section of Columbia Records, the U.S., contains works of “extended voices” offered by important authors of the experimental music circle including Pauline Oliveros, Morton Feldman, John Cage and Alvin Lucier [1]. As we had obtained the tape recording of Extended Voices composed by Toshi Ichiyanagi, a number consisting of electronic sounds and modulated voices which is contained in the album, we sought help from Takashi Matsudaira, a baritone singer, and worked on the realization of the piece in a different manner from the original version. By featuring this realization but also adding experimental pieces selected by Matsudaira as well as his own original work, we constructed “an anthology of extended voices” partially as homage to the original LP.

$18

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Toshi Ichiyanagi + Kenji Kobayashi 2CD “Duo Recital” Omega Point

In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Sogetsu Art Center ; “Toshi Ichiyanagi Concert”, at which some member of ‘Group Ongaku’ joined, as well as “Toshi Ichiyanagi and Kenji Kobayashi Duo Recital”, which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage made his first visit to Japan for a concert tour. Of course, then the Japanese music scene would be struck by a huge “shock”. So we can consider the recital by Ichiyanagi as a “quiet shock” before the “storm”.

DISC 1
track 1: Sylvano Bussotti Music for violin / 9’18”
track 2: Morton Feldman Duet for violin and piano / 9’55”
track 3: Toshi Ichiyanagi The Pile / For String #2 (simultaneous performance) / 19’06”
track 4: Anton Webern 4 Pieces for violin and piano, Op.7 / 5’18”
track 5: La Monte Young 561 to Henry Flynt / 11’24”

DISC 2
track 1: John Cage 34’46.776″ / 31’33”

$29

Ichiyanagi Kobayashi001 Ichiyanagi Kobayashi002

Toshi ichiyanagi CD “Music For Tinguely” Omega Point

music composition: Toshi Ichiyanagi / technical assistance: Shigenosuke Okuyama
track 1_Music for Tinguely (1963) 10’01” (from OPA-005)
track 2-4_Sound Materials of ‘Music for Tinguely’ (1963) 15’46”

This simple CD version was made as related item of the magazine gq No.9. Special cardboard package, limited of 300 copies.

$17

Ichiyanagi Tinguely004

Veltz CD ” Homage to Home Electronics” Omega Point

“I’m interested in junk materials and have made sound works since several years ago. Before then, I listened experimental music as a fan, but my border of music and non music became meaningless by encounter with Fluxus, sound-art, media-art and others. Since then, I love texture of ‘sound’ itself.
I remarked abandoned analog televisions when transmitting system of broadcast signal was changed to digital format in 2011. They are one of my favorite instrument at present, and I hold live performance and installation used them.
In this CD, I used analog TV, cassette tape recorder and video player. However, their sounds are not manipulated, and I recorded their spontaneous machine noise only. Are These one of ‘experimental music’? I think it may be ‘discovered music’. Obviously, I cannot leave from the fascination of ordinary equipments in my life.”

$15

Veltz CD Omega003

Camizole & Nu Creative Methods

Camizole 2LP “Untitled” Souffle Continu Records

Is freedom worth more than mastery, construction and achievement? In replying yes, the utopians of Camizole clear show which side they are on. For them, musical creation must be as spontaneous as possible. To achieve this, it is better to put egos to one side to concentrate on collective experimentation, to be tried and tested in front of a live audience. Playing the card of unlimited and unhindered improvisation is Camizole’s crédo, having decided to get a taste of the urgent game-playing already established by the Nihilist Spasm Band and the Living Theatre research of Julian Beck and Judith Malina.
At the time, that is to say when punk was exploding, this concept, itself inherited from the May 68 events, made an impact on Chris Cutler of Henry Cow, but also Lindsay Cooper, who invited Camizole member Françoise Crublé to join the Feminist Improvising Group. Also, the Tapioca label run by Jean Georgakarakos (co-founder ofBYG Records), considered producing an album, from a live recording made at the Théâtre de Chartres in November 1977. Unfortunately the label rapidly ceased all activities and the recording was left in a drawer, which was a real shame.
Today, after extracts and other live bits and pieces came out via Spalax at the end of the 1990s, an integral double-album is finally being released to do justice to the collective created by Jacky Dupéty, and which included, amongst others Dominique Grimaud(Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan, Urban Sax), Xavier Jouvelet (notably heard alongside Lol Coxhill) and Bernard Filipetti (Art & Technique). Better late than never
First ever vinyl edition of this French underground essential
500 copies – Obi Strip, 8 page booklet, Licenced from Camizole
$25
camizole 2lp
Camizole / Lard Free “Untitled” Souffle Continu Records
The ranks of Camizole included some of the most essential personalities of the French underground, notably Dominique Grimaud (Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan) and Bernard Filipetti (Art & Technique). Their idea of music, if we look further than the pair Dominique Grimaud – Bernard Filipetti and a style of music influenced by Klaus Schulze, is inspired by the liberty of free jazz. This is nonetheless modified by a cathartic approach close to the esthetic preoccupations of Julian Beckand Judith Malina’s Living Theatre. The result is a musical happening, where the important thing is to improvise in the urgency of the moment in front of a not-always receptive public.
Before exploring constructed repetitive forms which would be perfected by Urban Sax,Lard Free were more in the domain of noise improvisation, or even a kind of jazz rock similar to that of Soft Machine, as can be heard on a late retrospective album, from which the track “À chacun son Boulez” emerged.
There was logically great complicity between Camizole and Lard Free, which would lead to the two groups finally merging. This was the case for four concerts in May before the two groups disbanded in order to finally get to grips with the free rock in the style ofFaust that they liked so much. As an ode to anarchy, a record now bears witness to those communal experiences.
Excellent, one of our favorites for weeks ! Yes frenchies can do some good music !
$19
camizole LP
Nu Creative Methods LP “Nu Jungles Dances” Souffle Continu recordss
Souffle Continu presents a reissue of Nu Creative Methods‘ Nu Jungle Dances, originally released in 1978. When the second Nu Creative Methods album was released, New And Rediscovered Musical Instruments (1975) by Max Eastley and David Toop had already been available for almost three years. Without being able to say that there was a direct, real-time influence, the direction taken by the British and French duos was however the same, combining research and tradition in a quest for a new imaginary folklore. The name chosen by the pair was anything but innocent, linking them to both the track “Nu Creative Love” by Don Cherry (from Symphony For Improvisers(1966)) and the book My Creative Method (1949) by Francis Ponge. Because the first outlines the route of a free jazz the boundaries of which have constantly been demolished and through which Pierre Bastien and Bernard Pruvost traced their own path, while the second, an anarchist creating a bomb with the irrational as gunpowder, is close to providing an intellectual method. Close, because even this is undermined by other essential routes taken by Nu Creative Methods. The Oulipo, for example, encouraged all sorts of creativity; or perhaps pataphysics, according to which a banal saucepan is equivalent to the Mona Lisa! To get closer to the source of their imagination, the following names would have to be added to the list, Locus Solus (1914) by Raymond RousselArt Ensemble of ChicagoHarry PartchNew Phonic Art and Zwei Mann Orchester (1971-3) by Maurizio Kagel. That shows, in broad strokes, the creative wheels in motion behind Nu Creative Methods and Nu Jungle Dances offers a taste of the pathways offered by chance, following improvisations using instruments from the five continents. By proceeding thus, that is to say entering an esthetic zone where popular and esoteric music come together at last, an infinite palette of sounds opens up, offering fantastic perspectives. Between free jazz and ancestral music, Nu Jungle Dances makes it happen without pretense but with a rare and luminous extravagance, but also with the willingness to take on board unexpected surprises, and with a natural charm combating for the craft of sound creation. First ever vinyl reissue of this French underground treasure.
Edition of 500 with four page booklet and obi strip.
$21
creative methods

Gaseneta CD & EPS

Gaseneta CD “Live 2018.04.25” Loft Records

Some good new here :The legendary band is back with a new line up around Harumi Yamazaki : Tabata Mitsuru ( Acid Mothers temple, Zeni Geva…) , Chiyo Kamekawa (Yura Yura Teikoku, Fushitsusha…), Jun Inui (Stalin, Auschwitz…)

Bad news : they disbanded just befor the release date
So if you are in early Gaseneta, Green Flames, punk, rock and fun !

$22

Gaseneta CD loft

Gaseneta 7″ EP “Ameagari no Ballad / Shakaifukki” Loft Records

Only a very few, I know they are expensive…

$16

Gaseneta single

Gaseneta 7″ EP “Touchan no poh ga kikoeru/ Uchujin ho Haru” Loft Records

$16

Gaseneta single 2

Masonna & Incapacitants LP

Masonna LP “Open your cunt” Urashima

Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “ Japanoise ” scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not exclusively, tapes were legion: Toshiji Mikawa’s own Pariah Tapes, Masami Akita’s ZSF Produkt, Koji Tano’s MSBR Records, Akifumi Nakajima’s G.R.O.S.S., Hiroshi Hasegawa’s Endorphine Factory and Maso Yamazaki’s Coquette are just a few examples from Japan alone.

Masonna’s abundant productions on his own legendary and astonishing label were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. Mystic Another Selection Of Nurse’s Naked Anthology is known for his very abrasive harsh noise that’s mostly made up of lots of distorted screaming and “Open your cunt’’ definitely has tons of that. This early work is not released on Coquette, but on two other fabulous Japanese labels: Beast 666 Tapes in 1989 and Vanilla Records in 1990 in limited quantities. Tape is very loud, noisy, and has lots of angry energy. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. In this eleven songs focuses an electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to these tracks.

Reissued for the first time in vinyl, the record has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes in a deluxe silver silkscreen on black cardboard sleeve in 199 copies. Only a few copies

$21

Masonna Lp OPen

Incapacitants LP ” I, residuum” Urashima

Incapacitants are the best noise band to ever come out of Japan. The group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa, a bank employee, later moved to Tokyo, where he joined with government office worker Fumio Kosakai (also an occasional member of Hijokaidan, as well as a former member of C.C.C.C.) to make Incapacitants a duo. Toshiji Mikawa and Fumio Kosakai are no ordinary salarymen, though. They’ve been making some of the most unremittingly ear-shattering racket for decades as Incapacitants, one of the most significant noise outfits to emerge from the groundbreaking Japanese scene in the early 1980s, and still one of the most radical and powerful. They’ve consistently been responsible for some of the most complex, chaotic, loud, and downright fun releases in the genre. The holy grail comes with “I, Residuum” , a devastating release from 1997, whose sound is particularly impressive, painfully dense and full of detail – there’s very little air to breathe here. It’s basically an Incapacitants all-in-one featuring the trademark frenzy, exciting psychedelics and sonic bulldoze, all sounding crystal clear. Just pure, unadulterated electronic distortion of the highest quality done by two of the masters who have ever turned the knob on a distortion pedal that is fun, terrifying, hypnotic and fascinating all at the same time; their noise takes root not in violence or gimmickry, but in pure energy. Incapacitants create inexhaustible chaos verging on the sublime, and take you on a truly excruciating journey toward catharsis. This is truly the spirit of noise: no macho posturing, no pseudo-intellectualism, no “rocking out,” no pretense!

Reissued for the first time, the record has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes in a deluxe silver silkscreen on black cardboard sleeve in 199 copies. Only a very few !

SOLD OUT

Incapacitants LP

Ainotamenishis new CD

Ainotamenishis CD “XLisis” Reconquista records

Attention ! This is only the second album by this incredible band, first LP was released on Holy moutain in 2006.  “Ainotamenishis is a loud, heavy guitar group from Tokyo who were birthed from one oviduct marked “Velvet Underground” and a massive salpinx marked “Gaseneta.”  This new album has a better production but don’t believe these stray dogs are now only singing about love songs as their music is deeply rocky and sharped. There’s anger, anxiety, nucances,  the band is still influenced by Inu, Gaseneta and sometimes it’s reminescent of Yura Yura Teikoku. This is my favorite for weeks, this CD has been released last year but it’s still unheard and unknown by most of western listeners as there’s no distro outside of Japan. It’s a monster hit, it’s almost winter, go wild, go nuts ! Would make a nice companion to the recent Gaseneta LP.

$18

Aino001

LW & Maher Shalal Hash Baz LP

Little Wings & Maher Shalal Hash Baz LP “Share” Moone Records

12 “/  45 rpm limited to 300, silk screened jacket

$24

LW MSBH LP3 LW MSBH LP 2

Toshiharu Osato CD Aquirax Aida

Toshiharu Osato CD “Improvisation dedicated to Aquirax Aida” Companysha

Excellent archives from Osato who played in Taco & Gaseneta, maybe one of the most important and still unknown musician coming from the early 80’s – he played with Tamio Shiraishi, Tori Kudo…. Limited to 200

$17

Toshiharo osato CD Toshiharo osato 2CD

Andrew Chalk LP & Elodie

Andrew Chalk LP “Baroque steps” Faraway Press

All handmade sleeve in full coloured papers tipped on. Colour lined inner. Japanese obi

With full colour insert, Edition of 300 copies only

“Sun-lit leaves.

It is a clear blue message of hope, as it rings out on a cold

winter’s day.

As the spring progresses, it becomes a cascade that overflows

with bubbling sound, and ends with a challenge “

$24

Andrew Chalk Baroque Steps

 

Elodie LP “La Lumière Parfumée” Faraway Press

All handmade sleeve in coloured papers tipped on.

Colour lined inner. Letterpress texts and image to main sleeve

With duotone insert, Edition of 300 copies only

Elodie is here : Timo van Luijk & Andrew Chalk ,

Original release on CD December 2011

“ A repertoire of delicate acoustic and electronic sounds, weaving a rich tapestry of impressionistic pastel shades and shimmering opalescent rays”.

SOLD OUT

Elodie La lumière

Kaoru Abe / Toyozumi LP & more

Kaoru Abe / Sabu Toyozumi LP “Banka” Nobusinessrecord

Recorded live at Gaïa, Hatsudai, Tokyo, Friday, 13th January, 1978

Japanese free/jazz sax legend, Kaoru Abe, dies at the age of only 29 in 1978, living a fast and crazy life and dieing of a drug overdose. His entire music career was only 10 years, from 1968 to 1978. In that short period, he was well recorded with around 30 releases, ten of which are solo sax efforts, duos with guitarist Masayuki Takayanagi, bassist Motoharu Yoshizawa and drummer Sabu Toyozumi. Mr. Abe also toured and recorded with Milford Graves, Derek Bailey and Toshinori Konda in 1977 & 1978. Sadly, nothing by Kaoru Abe has been in print for many years until now… Many of his rare CD’s & LP’s go for big bucks on the resale market. This disc was recorded at two concerts in Tokyo in January and July of 1978, the year that Mr. Abe passed away. Those in the know, free/jazz freaks worldwide, should know of drummer Sabu Toyozumi from his work with Peter Brotzmann, Derek Bailey, Misha Mengelberg and Haino Keiji. ‘Part 1’ kicks things off with an immense blast with Mr. Abe on alto sax and Mr. Toyozumi on drums. Abe sounds a bit like Albert Ayler, although he plays alto & soprano saxes, bending and twisting every note in his own unique way. This duo recorded a few disc together and they sound just right working together, shadowing each other, tightly connecting no matter where they soar. If you savor what is essentially the beginning of fee/jazz in Japan, then you should really hear this disc. It is some 73 minutes long and it all flows together in powerful waves. So good to finally a disc back in distribution that captures the amazing talent & passion filled music of Kaoru Abe and Sabu Toyozumi. – Bruce Lee Gallanter, DMG

ltd to 300 (that’s not so many, do no wait too long)

$20

Kaoru Abe Toyozumi LP

Kaoru Abe / Sabu Toyozumi CD “Mannyoka ” Nobusinessrecords

First two tracks recorded live at Minor, Kichijôji, Tokyo, Saturday, 7th July, 1978

The rest of the tracks recorded live at Gaïa, Hatsudai, Tokyo, Friday, 13th January, 1978

$15

Kaoru Abe Toyozumi

Choi Sun Bae quartet LP “Arirang Fantasy” Nobusinessrecords

with Choi Sun Bae – trumpet
Junji Hirose – tenor and soprano saxophones
Motoharu Yoshizawa – electric vertical five-strings bass
Kim Dae Hwan  – percussion

LP

$19

Choi Sun Bae Quartet

Kawaguchi Masami’s NRS single

Kawaguchi Masami’s New Rock Syndicate 7″ Kira Kira /Melt”  Magnetic South

Mono mix, it’s a hit ! only a few copies

$10

Kawaguchi Melt Kirakira