Derek Bailey – Mototeru Takagi CD/LP

Derek Bailey – Mototeru Takagi CD/LP Live at FarOut, Atsugi 1987 – NoBusiness

CD $15

LP $24

Sabu Toyozumi – Mats Gustafsson

Sabu Toyozumi 豊住芳三郎 – Mats Gustafsson CD/LP Hokusai NoBusiness

CD $15

LP $24

Takayanagi – Ino – Kikuchi CD

Masayuki Takayanagi / Noboyushi Ino / Masabumi Kikuchi CD Live at Jazz Inn Lovely 1990 NoBusiness

$15

Lost Aaraaf – Keiji Haino 2CD

Lost Aaraaff 2CD Lost Aaraaff – Super Fuji

Keiji Haino, Hiroyuki Takahashi, Saitoh, Shigeru Suda & Akira Asami Regular Edition comes with an exclusive A4 flyer on metallic paper., comes in a CD plastic case with obi and booklet .Released to celebrate the 50th anniversary of the founding of the group.

1-1 recorded at Nihon-Genyasai Festival, Sanri-Duka, Chiba, Aug 14, 1971.
1-2 recorded at Shojiko Rockoon, Lake-Shoji, Yamanashi, Aug 8, 1971.
2-1 recorded at Electric Pure Land #3, Sugino Hall, Meguro, Tokyo, Jan 26, 1974.
2-2 recorded at Oscar, Shibuya, Tokyo, Mar 4, 1971.
2-3 recorded at Oscar, Shibuya, Tokyo, Mar 4, 1971.

Historic and hysterique !

$45

Special Deluxe edition in an LP-sized hardcover gatefold sleeve with booklet containing credits and lyrics in Japanese and English. Booklet does not contain the liner notes, interview or chronology that appear in the booklet that comes with the regular edition.

$69

Masonna – Incapacitants – Merzbow

Masonna LP “Freak” Urashima

299 copies + A3 size poster, in process of stocking** “Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in the “Japanoise” scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not exclusively, tapes were legion: Toshiji Mikawa’s own Pariah Tapes, Masami Akita’s ZSF Produkt, Koji Tano’s MSBR Records, Masaya Nakahara’s My Fiance’s Lifework Productions, Akifumi Nakajima’s G.R.O.S.S., Kimihide Kusafuka’s Kinky Musik Institute, Hiroshi Hasegawa’s Endorphine Factory, Hiroshi Hashimoto’s SSSM and Maso Yamazaki’s Coquette are just a few examples from Japan alone. Masonna’s abundant productions on his own legendary and astonishing label were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for ’60s psychedelic music revisited in its own very peculiar way. Maso Yamazaki transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts became clipped bursts of overloaded sound, doubled and extended by a delay that displaced the sounds into stuttered blasts of static. These vocal sounds fuse into a rattling background of harsh metallic fuzz, which was created by frantically shaking a highly amplified box filled with coins.
Freak is an ultra-rare cassette originally released in 1995 by Coquette in an edition of 36 copies in a special gold paper and now return for the first time in a flabbergasting vinyl format fully remastered!
This mature work is very brash, earsplitting and mad. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Sometimes pleading sobs are heard. And they are all, regularly, philologically broken, retouched, stiffened. And they mingle in the vortex. Or at most they come back to be slaughtered a little more only to be thrown back again, finally in the centrifuge. Everything is scraped, fast and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to this work.
Originally released as single side tape C30, this vinyl edition divided into two parts of about fifteen minutes each is limited to 299 copies and comes with A3 size poster with Masonna in “action pose”. Freak is an absolutely astounding piece of work by one of the great pioneers of extreme noise from Japan! This is bound to be a revelation for anyone and it can’t be missed! 

$26

Merzbow 2 LP “Rainbow Electronics” Urashima

299 copies with gatefold cover that faithfully reproduces the original art work plus a 12″ size insert** Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters’s pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise.
Originally released on CD in 1990 by Alchemy Records as part of the Good Alchemy Series, Rainbow Electronics marks the pinnacle of Merzbow’s late 80’s noise phase. Selected and transformed from about 21 hours tape of primitive raw material recorded during three years (1987-1990) in 14 fragments lasting about 74 minutes, this monumental work is an aural trip through a cold plotted universe of intergalactic space ships and golden celestial bodies. Remastered in December 2019 and split into four parts directly by the artist for the double vinyl version it opens up with a slow, kind of creepy tempo, reaching from dirty harsh noise flows coupled with eerie reverbed screeches and scrapes of iron objects. Noise and blasts come from every angle, and all you can do is sit and take it. Then continues with solid drumbeats briefly emerging from the static and disappearing just as quickly, again long stretches of subdued electronic drones buzzing along sleepily and the occasional sudden shift of noise into something more violent, though it all happens kind of slowly and gradually. A truly mesmerizing and immersive body of sound and its intense finish is something of pure artform.
“I don’t need a lot of words about Merzbow. All you have to do is immerse yourself in the sound.” translated from Japanese liner notes of Alchemy Records CD by Toshiji Mikawa.
Double vinyl comes in only 299 copies with gatefold cover that faithfully reproduces the original art work plus a 12″ size insert. If you looking for a great starter title by Merzbow, an amazing piece of art, or something to get high to, this double LP is perfect!

SOLD OUT

Incapacitants LP “Incapacitants” Urashima

Ltd 299with 12” size insert. Includes extensive notes by Toshiji Mikawa in Japanese with translation by Kato David Hopkins in English.** It’s a great moment for reissues of ambitious, historical gestures of the noise from Japan. One after the other, these artifacts have emerged from the shadows, entirely rewriting what so many of us thought we knew. Now, at long last, before us rest another piece in the puzzle – the first ever release of one of the most sought-after artifacts from the 80s noise scene – Incapacitants’ first cassette, recorded in 1981 by Toshiji Mikawa and never been released until now, reemerging in a new fully remastered edition by Andrea Marutti on vinyl format.
Few projects can claim the seminal importance of the Incapacitants on worldwide noise scene. The group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Later Mikawa moved to Tokyo, where he joined with Fumio Kosakai, also an occasional member of Hijokaidan, as well as a former member of C.C.C.C., to make Incapacitants a duo. They’ve been making some of the most unremittingly ear-shattering racket for decades as Incapacitants, one of the most significant noise outfits to emerge from the groundbreaking Japanese scene in the early 1980s, and still one of the most radical and powerful. They’ve consistently been responsible for some of the most complex, chaotic, loud, and downright fun releases in the genre. 
The cassette consists of a long track on side A titled Fulfilled Promise that starts slowly and gradually transforms into a crackling volcano and then comes the bursts and the outflow of lava, always controlled. While side B is a collection of small noise gem, furrows that precede the intensity and the noisy purity that will characterize all the production of the Incapacitants, titled Plague. The two sides of the tape are very different from each other, but they contain the same exciting, terrifying, hypnotic and fascinating soul – there’s very little air to breathe here!
‘’Listening to such artless performances and recordings is a bit embarrassing but, at the risk of flattering myself, I think it has some degree of interest. It’s from almost forty years ago, but I hope you’ll enjoy the very first recordings under the name Incapacitants.’’ translated from Japanese liner notes by Toshiji Mikawa.
The vinyl edition faithfully reproduces the order and duration of the tracks recorded on tape and is released in just 299 copies with 12” size insert. Includes extensive notes by Toshiji Mikawa in Japanese with translation by Kato David Hopkins in English. It’s a must-have not only for Incapacitants fans!

$26

Masayoshi Urabe 3LP Box

Masayoshi Urabe 3 LP box “Mobilis In Mobili” An’archives

Edition of 285, silk-screened wooden slipcase with 3 silkscreened panels (black & gold) + inserts and a 6 postcards set

Handmade slipcases and printing job by Alan Sherry

Liner notes by Michel Henritzi

An’archives présente trois documents, trois vinyles scarifiés par les illuminations de Masayoshi Urabe, six performances gravées là comme des épitaphes sur la pierre qui recouvre le vivant. Enregistrements faits dans de petites salles banlieusardes au Japon où il a pour habitude de jouer devant un maigre public, le Bitches Brew à Yokohama, le Groove à Okinawa et Gari Gari à Tokyo.

Urabe a croisé dans les couloirs du label culte PSF : Kan Mikami, Chie Mukaï, Rinji Fukuoka, Hiroshi Hasegawa, avec qui il a joué, parfois enregistré des albums d’une insondable beauté. Mais c’est en solo qu’il est le plus troublant, lumineux et sombre, violent et poignant.

Pas d’autres frères que Kaoru Abe et Albert Ayler, un même tragique, une même corde jalouse pour se balancer dans le son, renverser le ciel sous nos pieds. Urabe s’accouple à son alto, le violente, snuff jazz appelant les anges déchus à venir nous hanter. La mort, comme son éros, hante l’œuvre de Masayoshi Urabe, se dévoile à travers ses sons cuivrés. Il suit le son, l’aspire et le crache, sac d’air retourné jusqu’à l’épuisement, violent, jouant ou dansant, voulant que les premiers rangs cèdent à son érotisme trouble. Urabe  est un magnifique mélodiste, même s’il finit par tout saccager, ne rien laisser d’autre qu’un corps musical mutilé. Notes étranglées, aucune mélodie, juste du souffle, de l’air craché, un chant d’amour.

Michel Henritzi

These are recordings made in small suburban venues in Japan where Urabe would play in front of a meagre audience: the Bitches Brew in Yokohama, the Groove in Okinawa and the Gari Gari in Tokyo.

In the corridors of cult label P.S.F. Records, Urabe came across the likes of Kan Mikami, Chie Mukai, Rinji Fukuoka, Hiroshi Hasegawa, with whom he played, and sometimes recorded albums of unfathomable beauty. But he is most disturbing, luminous and dark, violent and poignant, during his solo sets. Hideo Ikeezumi (the cultural ambassador behind P.S.F.) supported him more than others and tried to offer him all the space he could hope for.

His only kindred spirits are Kaoru Abe and Albert Ayler, with whom he shares a sense of tragedy, the same jealous string to swing into the sound, to turn the heavens over to our feet. Urabe mates with his alto sax, assaults it, snuff jazz calling fallen angels to come and haunt us.

Death, like Eros, haunts Masayoshi Urabe’s body of work, and unravels through copper sounds. He follows the sound, inhales it, spits it like an air bag turned inside out until exhaustion, violent, playing and dancing, willing the front rows to give in to his murky eroticism.

Urabe is a magnificent musician, even though he ends up trashing everything, leaving only a mutilated musical body behind. Strangled notes, no melody, just breath, spat air, un chant d’amour.

68 € + postage

Please note I can hardly ship overseas with the French Post because of X Mas rush. We can upgrade and ship with UPS but you have to be warned it can be pricey, depending of your exact location. Ask if you want a quote. For Europeans, shipping is probably between12 to 17 €

Please allow us a small delay with shipments as empty boxes come from overseas and some are still on the way. We also need a little bit of time to pack as here there’s only 2 hands

Youri Kun – Hiroshi Nar

Youri Kun is Hiroshi Nar nickname who played bass with some of the most important bands such Les Rallizes Dénudés, Zuni keisatsu, Datetenryu. He’s active as Youri Kun, Portcuss, Molls, Niplets…He released more than 30 releases and he’s a true singularity…Sometimes it soudns a bit like a japanese Jad Fair with a nasal and weird voice, with always one foot in rock n’ roll…

Youri Kun CD “Nametoare” Inundow 2019

Youri Kun’s 13 red album, limited to 250. Youri Kun is Hiroshi Nar’s project, same man who played with les Rallizes Denudes but doesn’t have any attention outside of Japan for years ! He’s a prolific person who’s been writing a lot of oblique songs with a very specific and nasal voice. This album has a nice Rallizes Cover and also some new versions of his Niplets band project.

$22

Youri Kun CD “Wanpaku 1” Hören

Last album with Toshi Ishizuka (Vajra, Sanjah, Cinorama & Tomokawa), with a nice cover of 氷の炎 Rallizes Dénudés

$20

Youri Kun CD Hit Tune – Hören

First album released in 2006

$18

Youri Kun CD Migoku – Hören

2nd album from 2007

$18

Youri Kun CD Su Hören

$18

Port Cuss CD Me Your revisited – Hören

Rock ‘N’ roll quatuor from 2005 !

$20

Otomo Yoshihide + Hiroshi Yamazaki

Otomo Yoshihide + Hiroshi Yamazaki CD “Live in europe 2016” Craftman records

2 legendary musicians, 2 generations affiliated To Masayuki Takayanagi

$29

Musica Transonic 2LP

Musica Transonic 2LP Black Editions

Deluxe double LP, gatefold edition featuring heavy tip-on jackets with spot foil and embossing, spot color, gloss UV and soft touch coating. Full color, spot color and glossed inserts. Digital download is included. Pressed to high quality vinyl at RTI. Heavy !

Bass – Asahito Nanjo
Guitar – Makoto Kawabata
Drums, Percussion – Yoshida Tatsuya

Black Editions present a reissue of Musica Transonic‘s self-titled release, originally released in 1995. Musica Transonic was comprised of three of the most crucial artists to emerge from the 1990s Japanese underground: Nanjo Asahito of High RiseMakoto Kawabata of Acid Mothers Temple and Tatsuya Yoshida of Ruins. The group’s music was a supercharged combination of complex rhythms, blistering guitar attacks, and enormously deep bass momentum. Pushing the rock power trio to its miasmic, overdriven limits, Musica Transonic’s sound retains the ability to shock even now, 25 years later. 
Produced by – Asahito Nanjo
Originally released on CD by P.S.F. Records, Japan 1995 (PSFD-61)

Only a few $35

Patrick Shiroishi LP

Patrick Shiroishi LP Descension – Thin Whrist

Deluxe Embossed Heavy Tip-On Jacket with Spot Colors, Spot UV.
Includes insert and download card.

“A harrowing layered work of solo saxophone and electronics, Descension is at once beautifully elegiac and unflinchingly primal. Patrick Shiroishi is one of the key artists to emerge from the current L.A. free improvisation avant-underground; his first vinyl release is a spiritual journey that reveals his deeply reflective and unique musical vision. Descension is a sonic meditation on the legacy of a dark history and its echoing relevance in the present era.”

Only a very few – $25

Orange Bliss Meeting

Orange Bliss Meeting cs Bliss meeting Cadmus Tapes

Japanese droney & zen like patterns, an invitation to the sofa as travelling is bit complicated these days. Close your eyes and take a ride.

$12

MoE with Mette Rasmussen & Ikuro Takahashi

MoE with Mette Rasmussen & Ikuro Takahashi CD Painted – Relative pitch records

Label’s notes:

Norwegian experimental rock band MoE and alto sax virtuoso Mette Rasmussen have since their first musical meeting in 2018 already toured Norway, Mexico and Japan together. Their 2019 album «Tolerancia Picante» sent them on a long and intense Japan tour where they collaborated and played with several important figures from the Japanese improv scene. In Sapporo they teamed up with legendary drummer Ikuru Takahashi. MoE and Mette Rasmussen continue to explore the boundaries between improvisation, composition and other conceptual crossover genres

$15

Harutaka Mochizuki new CD

Harutaka Mochizuki CD “Flageolet Ni Tokeru Chocolate” E-Klageto

Limited to 150, comes in a 7 inch art with inserts

Attention : this one of the most beautiful album I’ve heard for months and probably my favorite with Mochizuki. It’s not a sax album, more like a diary mixing some sequences with sax, short songs, melodica and keyboard. If this one is a trip, it’s more like an invitation with meeting a soul in a small place. Nothing spectacular, sometimes  a bit like Namio Kudo, Mochizuki can move us with only a breath or the birth of a melody. Yes we love Mochizuki and find this album being probably his most personnal and poetic one.

$14

harutaka flageolet harutaka flageolet 3 harutaka flageolet 2