Monthly Archives: March 2023

C.C.C.C. LP Reflexive Universe

C.C.C.C. LP Reflexive Universe – Urashima

Deluxe vinyl LP version. Limited edition to 199 copies ** C.C.C.C. (Cosmic Coincidence Control Center) is a legendary Japanese noise music collective that was founded in Tokyo in 1989. The group originally had four members – Mayuko HinoHiroshi HasegawaFumio Kosakai, and Ryuichi Nagakubo – who are known for their unique approach to noise music, and quickly gained a reputation for their intense and chaotic live performances. The group’s sound is characterized by its use of high-volume, distorted noise, feedback, and electronics, as well as their incorporation of unconventional instruments and objects. Beyond their music, members of C.C.C.C. has also been involved in a variety of artistic endeavors, including film, performance and installation art.
C.C.C.C.’s “Reflexive Universe” cassette, released on the Japanese label Vanilla Records in 1991, is a must-have for fans of Japanese noise music. The cassette features one track intense and immersive noise, showcasing the group’s unique approach to sound and experimentation. The album is a 23-minute epic that builds from a fast, almost hypersonic opening to a wall of noise that seems to encompass the entire universe. Recorded live at Maya in Kobe on September 15th, 1991 only with two members performing – Mayuko Hino at electronics and voice  plus Hiroshi Hasegawa at synthesizer and electronics. The performance is a testament to the group’s innovative and boundary-pushing approach to sound, and a reminder of the enduring power of noise music as an art form, and Vanilla Records label has done an excellent job of capturing the raw and visceral sound of the group’s live performance.

$25

Japan Blues LP

Japan Blues Meets The Dengie Hundred LP Demdike Stare

Six years since his debut Japan Blues album ‘Sells His Record Collection’, Williams is back – and it’s been worth the wait. Based around enka and minyo recordings made with London based singer Akari Mochizuki and Tsugaru shamisen master Hibiki Ichikawa at London’s Earthworks studio back in 2018, Williams adds field recordings made while traveling through Japan,  inviting The Dengie Hundred to co-produce, bringing his own sound worlds into the mix.

The two spent several months shuttling ideas back and forth, processing mixes and adding environmental recordings, like snatched penny whistle melodies or the familiar whirr of an extractor fan. Singer Tamami Pearl is the final piece of the puzzle, providing an almost imperceptibly breathy aura to proceedings. The obsessively researched archivist’s resolve is still very much present, but the processing style and overall sound here is more faded than the Japan Blues of yore, transmuting discernible sounds into magickal textures that boil and bubble until all that’s left is vapour.

On ‘Sazanka, Hokkai Bon Uta’, Japanese vocals are dubbed into bare syllables, juxtaposed with flute improvisations and muddy whirrs. Eventually, the instrumental elements turn to noise, like some shortwave radio transmission slowly falling out of range. Environmental sounds become uneven, clunking percussive currents offer a sort of dream logic, morphing into faint choirs. In the final third, Williams pulls away the veil almost entirely.

The album’s most compelling section is the side-long ‘Soran, AIzu Bandai-San, Shimabara Lullaby’. If you’ve heard Robert Turman’s 1981 album “Flux” – a reel-to-reel recorded slo-mo kalimba and piano masterpiece – you’ll have an idea of how this one rolls. Williams and The Dengie Hundred work into the source material like modelling clay, dubbing and distorting shamisen twangs and echoing vocals into half-speed, dissociated dream visions. 

It’s not Ambient by any means, but there are undoubtedly traces of Brian Eno’s earliest, most crucial experiments. It’s not Folk music either, but Williams’ deep obsession with Japanese traditions allows him to integrate sounds holistically, provoking a conversation rather than simply cherry picking aesthetic decorations. He works like a dedicated DJ, giving The Dengie Hundred room to tweak the spaces in-between. Together, they create an atmosphere that’s fiendishly hard to put into words, and even harder to forget. 

If you’re into tape-damaged industrial experiments (think Skaters, Spencer Clark, Aaron Dilloway et al), the surrealist global exploration of labels like Stroom, or simply after a new perspective on Japanese folkways, “Japan Blues Meets The Dengie Hundred” is unmissable.

Transparent orange vinyl ltd to 500- $29

Angus Maclise 3CD box

Angus Maclise 3CD box Tapes – Art Into life

Angus MacLise, the first drummer for the Velvet Underground, was a poet, composer, and a member of The Theatre of Eternal Music alongside La Monte Young.  The “Tapes” 3CD Box is the first-ever reissue of a 3-cassette compilation that Pleasure Editions originally released in 2015, limited to only 100 copies. The 3CD box set comes with a miniature poster and track lists, and each CD has a paper sleeve that reproduces the original cassette card artwork.

This comprehensive 3CD box set is over three hours in length and includes session recordings with Tony Conrad and William Breeze (of Coil, Current 93, and Psychic TV), mystical recordings from the filming of Ira Cohen’s “The Invasion of Thunderbolt Pagoda” (1968), shortwave experiments, and sounds of Tibetan Buddhist monks recorded by MacLise.  The “Tapes” compilation features excerpts from the archives of the Angus MacLise Papers, which are held at Columbia University Library. The archives contain over 100 hours of reel-to-reel tape recordings of live improvised music, theatrical performances, and sound experiments created by MacLise and his associates during the 1960s and 1970s. MacLise produced the original recordings in his own unique style, characterized by rough and peculiar editing.  The release is curated and sequenced by Will Cameron and Mark Iosifescu.  Jim O’Rourke completed a new sound restoration and mastering of the recordings in 2023.

Special thanks to Hetty MacLise, Ossian MacLise, La Monte Young, Marian Zazeela, Sheldon Rochlin, Ira Cohen, Rob Ward, Jim O’Rourke, Johan Kugelberg, Tim Barnes, Erica Barnes, Dia Art Foundation,and Robert Bielecki.  This official release is authorized by Dreamweapon New York, a project of the MacLise Family Estate. 

$42

Keiko Higuchi- Naoto Yamagishi CD

Keiko Higuchi- Naoto Yamagishi CD Live 2022 – Wildcat House

Naoto Yamagishi and Keiko Higuchi (Albedo Fantastica, Albedo Gravitas, Archeus…) have both studied abroad and returned to Japan: Yamagishi from France and Higuchi from the USA.
Keiko Higuchi ヒグチケイコ voice, piano
Naoto Yamagishi 山㟁直人 drums, percussion

comes in a glossy gatefold with art by Junko Yamamoto

$18

Ultra Bide LP

Ultra Bide LP The Original Ultra Bide – P-Vine

A band tha tsounds like a traffic accident, a ferocious synthesizer, and BIDE’s nonsense lyrics. Collecting the sound sources of “Ultra Bide”, which was active as a central member of Kansai NO WAVE from 1978 to 1980, the album released from Alchemy Records in 1984 is finally remastered and reissued! Ultra Bide is a quartet consisting of JOJO Hiroshige, who later formed Hijokaidan, Taiqui, who became the drummer for Ain Soph, BIDE (HIDE), who is still active in Kyoto, and Koichiro, who was a member of MaherShalal Hashin the early days. The phenomenal sound that had already established avant-garde punk in 1978 was not only cutting-edge at the time, but also the ultimate originality that had a great influence on the underground scene such as punk, noise, and psychedelic. ! It is also known that Oshiri Pen Pens respects them as the most influenced band.

$35

Ché-SHIZU 1st Album LP

Ché-SHIZU LP “I can’t promise” – P-Vine

Che-SHIZU’s first album “I can’t promise” was released in 1984 from the independent label Zero Records. A rock band centered around erhu performer/singer Chie Mukai and bassist Takuya Nishimura. Continuing to make “songs” that are hard to call psychedelic or rock. The guitar is palyed by Kudo Tori from NOISE & Maher Shalal Hash Baz . This historical masterpiece isreprinted for the very first time on an analog board.

$35

S.O.B.Kaidan LP

S.O.B.Kaidan LP Noise, Violence And Destroy -P-Vine

Osaka’s representative SOB, who is said to have influenced Napalm Death, a big name in the grind world, collaborated with Hijokaidan, a noise violence group, for this work. Noise is echoing in the background, but it’s fast and cool, unprecedented high-speed guitar, high-speed drums, death voice vocals, and noise.
The unit “SOB Staircase” is a combination of the hardcore band “SOB”, which was active in the 1980s in Osaka, and Hijokaidan. Released on analog record in 1988, 3000 copies sold out immediately. Since then, it has been made into a CD three times, with a total of over 5,000 copies being pressed.

$35

Slap Happy Humphrey LP

Slap Happy Humphrey LP Slap Happy Humphrey P-Vine

Through the noise like a storm, Doji’s world appears and disappears like sunlight filtering through the trees…Morita Doji mixed with noise, the world’s only Morita Doji cover band, that’s Slap Happy Humphrey. Folk and noise, a miraculous space created by these two seemingly contradictory elements. The singing voice of Mineko Itakura covering Doji Morita and behind the noise, Sabert Blaze’s Hiroaki Fujiwara with Jojo Hiroshige on guitar

$35

Sekiri LP

Sekiri LP “Push push Baby – Love star” – P-Vine

赤痢 (Sekiri; literally “Dysentery”) is a Japanese female punk band (with Aya Onishi whol later joined the Nihilist Spasm Band), formed by four 13~14-year old pervy punk girls in Kyoto in 1983 and disbanded in 1995.

Reissue of this 1987 album, this one  incorporates elements from hardcore to pop tunes and even ethnic music.

$35

Sekiri 7′ single”Sekiri” – P-Vine

Released in 1985 from BEAT CRAZY RECORDS, the debut EP “Shigetsu” is a 7-inch EP with a special jacket just like the original, and a valuable lyric card is also attached!

One of the best girl punk bands formed in Kyoto in 1983. The lyrics of “Yumemiru Omanko” recorded in the first 7-inch EP “Dysentery” released in 1985 caused ripples and left a strong impact. Since then, he has continued to work as an independent artist without making major debuts, constantly releasing works. Until 1995, they were active mainly in the Kansai region, and of course they had a great influence on girl bands at that time and later.

$18

Angel’in Heavy Syrup LP

Angel’in Heavy Syrup LP Angel’in Heavy Syrup – P-Vine

Legendary girls’ psychedelic & progressive rock band, “Angelin Heavy Syrup”, which is still highly acclaimed worldwide, first of all 4 out-of-print titles. Kansai underground scene solitary female psychedelic band! A single, richly colored flower that bloomed in the Kansai Underground in the early 90’s. A psychedelic/progressive female band unparalleled in the world, too early “Yoka no Kirameki”. Firstly release on Alchemy Records

$35

Angel’in Heavy Syrup 7″ 僕と観光バスに乗ってみませんか / 春爛漫 – P-Vine / Alchemy record

2 covers of Doji Morita !

$18

Les Rallizes Denudes CDs

Mizutani / Les Rallizes Denudes CD – Tuff Beats

gatefold with obi and exclusive Disk Union 80mm badge

$38

Les Rallizes Denudes CD ’67-’69 Studio Et Live – Tuff Beats

gatefold with obi and exclusive Disk Union 80mm badge

$38

Les Rallizes Denudes 2CD ’77 live – Tuff Beats

gatefold with obi and exclusive Disk Union 80mm badge (over level)

$52

Masahiko Togashi & Mototeru Takagi LP Isolation

Masahiko Togashi & Mototeru Takagi LP Isolation – Columbia 2022

gatefold jacket with obi, originally released in 1971

A most welcomed reissue, we only have a very few !

$52

Suzuki Junzo & Tetuzi Akiyama LP

Suzuki Junzo & Tetuzi Akiyama LP Evaporation of Holy Water – Utech

Evaporation of Holy Water is Utech Records’ first release from the duo of Suzuki Junzo and Tetuzi Akiyama. The full-length album sees the guitarists in full attack mode, laying down sheets of noise and psychedelic guitar lines inside a wild tsunami of feedback and overdrive. Twin electric guitar insanity.

Recorded by Makoto Oshiro in Tokyo, April 25, 2019.
Mixed by Toshimaru Nakamura.
Mastered by Lasse Marhaug.

Neon Pink LP edition of 150.

Art and design by Stefan Thanneur

$34