Hiroshi Na (r) – Youri Kun LP

Hiroshi Na LP Turkey Necklace – AROE pro / SHIMITTER RECORDS

Ltd to 400 with insert and card

This album composed of tracks that Hiroshi Na (aka: Narazaki Yuji/Kumo Yuri) especially liked from the 8cm CD-R series released in the early 2000s under the official authorization of “Hello Good-Bye Studio” and which are now difficult to obtain. It starts with home recordings made during his junior high and high school days (1965-70), multi-track recordings made with a radio cassette player while he was in the band Zuno Keisatsu (1974), studio demos made during his break after leaving the band Les Rallizes Denudes (1978), tracks provided for a compilation CD on the German label Dom (1992), and tracks provided for a Jon (the dog) tribute CD (2004). 

$35

Hiroshi Na LP An Orphan’s Dream – MUSICA JAPONICA RECORDS

Ltd to 400, with insert and a card

This album includes a series of 8cm CD-Rs released by Hello Good-Bye Studio in the early 2000s with the official approval of Hiroshi Na (aka Hiroshi Narazaki/Yuri Kun), which are now difficult to obtain. This album includes recordings of Koi no Karakuri (1977), recorded while he was still in Les Rallizes Denudes , which showed the direction that led Hiroshi to start his own creative endeavors, as well as important live recordings that indirectly complement his solo works under the name Yuri Kun and his work with Niplets, etc.

$35

Mibu Kogawa (Furakawa) LP

Mibu Kogawa (Furakawa) LP 壬生/津軽の風と土へ Gousarashi – P-Vine

Originally released in 1978, this issue comes with the booklet, if y u are in Kazuki Tomokawa, Kan Mikami, and “freak-folk”, this album is mix of prayers and screams (dedicated to his lost brother), sometimes with some additionnal environmental sounds, that’s just stunning and it has been keeping me thrilled to the bone for decades. Intense, highly recommended, ltd reissue and we only have a very few

$45

Morio Agata with Takehisa Kosugi

Morio Agata (with Takehisa Kosugi) 7′ Akashiano Amega Yamutoki/Hanayome Ningyou / アカシアの雨がやむとき
– Super Fuji

Morio Agata’s 1979 self-produced single “When the Acacia Rain Stops” and dedicated to Kaoru Abe is reissued on 7-inch for the first time in 46 years, with Takehisa Kosugi, Masaru Watanabe…

Promo copy with a postcard, very limited

$22

Free Jazz in Japan & Hijokaidan books

Rumors of Noize : Hijokaidan and the Round to 2nd Damascus by Kato David Hopkins – Public Bath

21 x 15 cm, 220 pages

$30 SOLD OUT

Free Jazz In Japan – Soejima Teruto translated by David Kato Hopkins – Public Bath

21 x 14 cm, 365 pages

Yamashita Yosuke, Togashi Masahiko, Abe Kaoru, Kondo Toshinori, and today’s Otomo Yoshihide and Shibusa Shirazu. Japanese free jazz emerged as a flag-bearer of the era in the late 1960s, and produced expressions that were ahead of the rest of the world. This is a documentary/avant-garde trajectory testified to by Teruhito Soejima, who has pioneered the scene as a producer from its infancy to the present day.

The original book was published in 2002. The English version has been significantly revised and updated with new photos. The preface was written by Yoshihide Otomo, and the recommendation on the back cover was written by John Zorn, who is said to rarely praise this type of publication. It is said to have had the most initial orders of any book published by Public Bath Press, and it is certain to become a good guide to Japanese free jazz for overseas enthusiasts in the future.

$40

Makoto Kawashima CD

Release date : May, 23rd

Makoto Kawashima CD Arteria – Relative Pitch

Over the past decade, saxophonist Makoto Kawashima has consistently established himself as one of the most compelling improvisers in contemporary music. His unique approach to solo performance aligns him with the tradition of groundbreaking Japanese saxophonists like Kaoru Abe, Tamio Shiraishi, and Masayoshi Urabe. Operating at the fringes of improvised music, Kawashima’s artistry unveils a delicate essence, placing equal focus on silence and minute detail alongside intense expressions of tone and texture.

$15

Keiji Haino 2CD the Meaning of Blackness

Keiji Haino 2CD the Meaning of Blackness Old Hevan Books 2019

Back in stock

$30

Mamer CD , cassettes, LP

Mamer LP 45 rpm with CD Desert – Guitar solo for reel to reel tape recording – Old Hevaen books

Mamer first became known as a dombra virtuoso and a modern master of Kazakh folk music. Over the years, he has evolved into a prolific and versatile artist, working across the boundaries of both tranditional and contemporary music. Mamer leads seven band projects: IZ, Bande, Mekrop, TAT, Mask, 51-Rayon, and Kunakar. He has released over 30 records, presenting a diversity of distinct styles including folk, ambient, industrial, noise, improvisation, and drone music.
“Every Mamer is brand new”. On stage, Mamer gives absolute control to his artist ego, surprising his audience in every next performance. An artist who refuses to repeat his past, Mamer creates, solely for the call of his inner world and the vast universe. The only tradition he commits himself to is that of innovation: electric bass, classical guitar, dombra, Dolan rawap, bouzouki, Jew’s harp… Mamer transforms every instrument in his hands, no matter classical or folk, into sound machines from a different planet, sending out outlandish harmonies made up of myriad sound particles. With a remarkably unwavering approach to composition and almost stifling calmness and self-restraint, Mamer has built up a sonic kingdom of his own: of darkness, profundity, and boundless mysteries.

LP $45 SOLD OUT

CD SOLD OUT

Mamer cassette Imitate sky – Old Heaven books

Mamer cassette Fake Jazz – Old Heaven books

Mamer cassette Dirty – Old Heaven books

Mamer cassette Underground Factory – Old Heaven books

$20 each

Faust feat Keiji Haino CD

Faust feat Keiji Haino box CD This is the right path – Old Heaven books

Jean-Hervé Péron – 人声 Vocals / 贝斯 Bass / 原声吉他 Acoustic Guitars / 小号 Trumpet / 水泥搅拌机 Cement Mixer
Werner “Zappi” Diermaier – 鼓 Drums

特邀嘉宾 Very Special Guests:
Maxime Manac’h – 键盘 Keyboards / 吉他 Guitar/ 煤气罐 Gas Cylinder / 手摇风琴 Hurdy-Gurdy
灰野敬二 Keiji Haino – 人声 Vocals / 电吉他 Electric Guitars / 电子设备 Electronics
魏籽 Wei Zi, Tina, 郦亭亭 Li Tingting – 针织行为表演 Knitting Performance

$28

Masubuchi – Suzuki – Tsuda CD

Takashi Masubuchi – Ayami Suzuki – Takashi Tsuda CD Rasenkiryu – Otooto

増渕顕史 Takashi Masubuchi : Acoustic guitar
鈴木彩文 Ayami Suzuki : Voice, electronics
津田貴司 Takashi Tsuda : Electric guitar with a bow, sound objects

Live recorded at Permian, on January 3rd and February 13th, 2022

Comes with a DL code and 2 bonus tracks

$17

Keiji Haino & Guro Moe LP/CD sales

Keiji Haino & Guro Moe LP/2CD ” Drums & Octobass” Conrad Sound

Keiji Haino & Guro Moe double CD with artwork by Aaron Turner.
2nd CD contains one long track only released on CD.

LP $15

CD Keiji Haino & Guro Moe double CD with artwork by Aaron Turner.
2nd CD contains one long track only released on CD.

$9

Kotonashiso LP

Kotonashiso LP Umwelt, room

LP ltd to 300, black vinyl, 2 colors (blue, black & grey) silkscreened jacket with obi (black or dark

red , 2 inserts and a postcard

Label : An’archives Réf : [An’49]

Printed by Alan Sherry, liner notes by Jon Dale

Release date : April 4th, 2025

Contact – wholesale : anarchives@sfr.fr – anarchiveslabel@gmail.com – clerouley@free.fr

Shop in Paris & distribution in France : Souffle Continu

US : Worldgonemad

Home | WORLD GONE MAD DISTRO (bigcartel.com)

With Umwelt, room, An’archives releases the first vinyl LP by Japanese singer, songwriter and guitarist, Kotonashiso. An elegant collection of seven slow-moving, free-ranging song forms, Umwelt, room is reflective, pensive, and yet has a great, expansive sense of movement, each song’s parameters feeling almost infinitely flexible.

Born in Tokyo in 1984, Kotonashiso began playing music in 2000. After taking a long break from making music between the years 2005 to 2016, he returned with renewed focus, and over the past eight years, he’s toured Japan and Europe, performing in venues, street performances and open mic events. Currently, Kotonashiso plays either solo, on in three separate duos, with Sou Mori, 泥, and Hideya Kyooka, respectively. He’s not released much music, as yet – a single, “in the cavern”, with Sou Mori, in 2021, and a soundtrack to Hiroki Nakajima’s solo exhibition, Ray, the following year.All of this gives Umwelt, Room the feeling of a major statement, a debut shot across the void. The seven songs collected here were recorded in 2024, with a guiding principle, for Kotonashiso, being his desire to “[imagine] the time when people started recording blues and folk songs on analog records,” creating a ghost-like presence in the listener’s room. When talking about the songs on Umwelt, Room, Kotonashiso focuses on a number of concepts, such as prayer, tragedy, ‘the cycle of life’, and the disappearance of the gulf between fantasy and reality.

They’re songs with deep, rich resonance, performed without guile. You might be able to hear, at times, the fragility of fellow Japanese singer-songwriter Hisato Higuchi, or the bluesy touch of Loren Connors in the guitar. However, Kotonashiso’s aesthetic remit is wide, identifying with artists like Bill Callahan, Scout Niblett, Inukaze, and Tomoko Shimazaki, and sharing sympathies with “the psychedelic rock, avant-garde and ambient communities.” Ultimately, though, the pellucid, dream-like songs of Kotonashiso, somewhere between folk, pop and blues, sit, disarmed and lovely, within their own universe.

25€

Tête De Chou LP

Tête de Chou LP / DL Tête de Chou (Mark Anderson – Kurumi kido – Arlo Wynks)

LP ltd to 300, black vinyl, 3 colors (greys, silver) silkscreened jacket (chipboard/brown) with obi (Tan or dark brow), insert and a postcard

Label : An’archives

Réf : [An’50]

Printed by Alan Sherry

Release date : April 4th, 2025

Contact – wholesale : anarchives@sfr.fr – anarchiveslabel@gmail.com – clerouley@free.fr

Shop in Paris & distribution in France : Souffle Continu

US : Worldgonemad

Home | WORLD GONE MAD DISTRO (bigcartel.com)

An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here.

The trio’s movements seem spontaneous and open-ended, which makes sense when you consider the organic way they came together, from drinking at their local yakitori joint, to Anderson and Wynks “mucking around as a duo in the studio on a semi-regular basis,” the former recalls. Kido then joined to form Tête de Chou. She was learning ichigenkin and shō, and when Anderson and Kido organised some small-scale shows in their tatami room, "extending that to us [three] making a bit of a freeform racket wasn’t a stretch,” says Anderson.The album itself was predominantly built from material drawn from two recording sessions, one each in Japan and New Zealand. These tracks were further augmented by several long-distance collaborations. Anderson reflects that, as Wynks was on the road, the album “almost ended up a bit of a travel diary for him.”Wynks recalls the exchange flowed both ways: “Mark and Kurumi sent me recordings that I added things to and/or added to pre-existing things to create a few more tracks.”That might explain the mobile terrain covered by the album. It’s an album of snapshots, at once vivid in their performance, and obscure in their methodology.Organ drones tussle with field recordings; thin streams of noise rub up against clanking metallics; whispering, wistful reeds drift alongside warping strings and a tickling glockenspiel. There’s a fair breadth to the instrumentation here: in addition to what’s already mentioned, you can add microphone, mini-amp, dulcimer, guitar,shehnai, violin, and ‘two-stringed goatophone’.Placed together, the eight pieces here form an elliptical narrative that’s far from easy to pin down, but infinitely pleasurable to listen to, a kind of home-built, humble electro-acoustic pastorale, and an impressive, unexpected first shot across the bow.

25€

Z.O.A LP Night’s Wanton Spider

Z.O.A LP Night’s Wanton Spider – Grand Fish

Last and final album by Japanese goth/avant-garde/progressive rock band formed by Seiichiro Morikawa (Chi To Shizuku) in 1984. Ltd edition, we only have a few copies

$38 SOLD OUT