Monthly Archives: September 2023

Albedo Gravitas CD

Albedo Gravitas CD “Luminescence” Musick Atlach

Albedo Gravitas are derived from the improvised duo group called Albedo Fantastica of Keiko Higuchi and Sachiko established in 2015 joined by Shizuo Uchida to be a trio. The kaleidoscopic voices of Higuchi and Sachiko intermingling with the piano, bass, electronics and melodica, seem to stagnate and cut up the space which to result to create their only unique improvisation. They have been constantly performing in Tokyo and released their first album Eihwaz from the French label An’archives in 2021.
This very latest one is their first studio recorded album ever. The music here appears to be a roaming in the tranquil darkness, breathing deeply and tracing the spiritual vein of gold while spotting luminescence.

$15 we’re doing some distribution for this release, shops and mailorders can ask for wholesale

Pan CD

Pan CD “Colar smells sweet” – Self Release

Naoki Otani / Vo,Gtr,Vn,Sampler
Richi Tsukazaki / Gtr,Dr,Vo
Yuto Ashida / Dr,Sampler,Pf,Tp,Vn
Shun Noami / B,Vo
Satoshi Torii / Dr,Fl
Koji Shibuya /Pf
Zach Phillips /Vo,Dr
Shiro Kobayashi / B,Tp

recorded and mastered by Yuto Ashida and Zach Phillips

All songs by pan except for “We will be” special thanks Tori Kudo

$16

Suishou No Fune 水晶の舟 LP

Suishou No Fune 水晶の舟 LP The wind is spring – There is a rainbow in the sky – Love is hiding in the waves

LP ltd to 275, black vinyl, 3 colors silkscreened jacket with obi (white, black or kraft), inserts and a postcard Liner notes by Jon Dale

Printed by Alan Sherry

Release date : sept. 15th

Since forming in 1999, Suishou No Fune (A Ship Of Crystal), the vehicle for long-term musical collaborators Pirako Kurenai (guitar, voice) and Kageo (guitar), have been one of the most compelling groups in the Japanese underground. Their long, languorous songs are devastating in their simplicity, as though the gently sung ballads of the Velvet Underground’s third album were re-scored by the legendary Japanese free-rock gang, Les Rallizes Denudes. Their new album, 風は春、空は虹、愛は波間に隠れている (The wind is spring -. There is a rainbow in the sky – Love is hiding in the waves.), documents a live performance from May 2021, at Silver Elephant, where the duo are joined by Matsuedo Hideo on bass, and Mark Anderson (Greymouth, Mysteries Of Love) on drums.

The duo of Pirako Kurenai and Kageo have come a long way since their early performances and self-released CD-Rs – in the intervening decades, they’ve released albums on P.S.F., Holy Mountain, Important, Archive, 8mm and Essence, amongst others, each album another manifestation of the duo’s ever-changing same. You can hear them patiently toiling over these beauteous songs, with their choral melodies and lush waves of tonology, Kageo’s guitar radiating bejewelled chimes and dense passages of texture, pulling the songs into a black hole of quietude and sadness. And as Kurenai once told journalist Phil Kaberry, “Suishou No Fune’s songs, sounds and words are often born from heartrending feelings like sadness and pain”.

The wind is spring. There is a rainbow in the sky. Love is hiding in the waves begins with the deep blues of “Cherry”, a drawn-out drift-song that pivots on a most elegant two-chord mantra, as Kurenai sings, siren-like, amidst the sheets of noise Kageo peels from six strings. There’s something painterly about the duo’s playing here, and indeed, Kageo was a painter and Kurenai was a doll maker and watercolour painter when they met in the late ‘90s. On the flip side, a spare, spaced-out improvisation, “A Rainbow Is Floating”, acts as a prelude to “Endless Descent”, one of Suishou No Fune’s most remarkable songs, where a mesmeric guitar line endlessly coils and twines around the flicker and toll of Kurenai’s hypnotic one-chord strum. It’s a bruised, quietly desperate ending to an album that has an acroamatic air, as though the songs were transmitting to a cabal of lost spirits.

digital only :

https://anarchiveslabel.bandcamp.com/

As we’re almost sold out source, buyers can purchase from Souffle Continu shop in France and some more shops in Europe & UK.

https://www.soufflecontinu.com/

US buyers can order from https://worldgonemad.bigcartel.com/

A very few copies will be also available at Ergot records in NYC

26€ SOLD OUT

Sara + Tatsuya Nakatani CD

Sara (.es) + Tatsuya Nakatani CD “Creature in a forest” Nomart

$18

Shuko No Omit CD

Shuko No Omit CD 秘密の回顧録 – Rumble records / Tall Grass records

Reissued of the An’archives Lp released in 2021 with 2 bonus tracks and a new master by Yasushi Utsunominia. Rock project leaded by Yonju Miyaoka, (Bunsuirei), influendce by PSF, Ché Shizu, Tori Kudo, Kousokuya

$16

Baikida E.J. Carroll LP Orange Fish Tears

Baikida E.J. Carroll LP “Orange Fish Tears” -Souffle Continu

This is the ltd edition of 25, ultra clear vinyl, with exclusive 2-color silkscreen printed wraparound unnumbered & signed by visual artist Stefan Thanneur and printed by Alan Sherry

8 page booklet with rare and unpublished photos & licensed from Palm

In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group (more precisely saxophonist/flutist Oliver Lake, trombonist Joseph Bowie, drummer Charles “Bobo” Shaw and trumpeter Floyd LeFlore) took the advice of their friends in the Art Ensemble Of Chicago and left their native Missouri to come and discover the bright lights of Paris for themselves. The following year they would even get the chance to record their only album which would rapidly attain mythical status and a collector’s item: “In Paris, Aries 1973”.

Therefore, it was not surprising that they crossed paths with Jef Gilson in the capital. He was always on the lookout for new artists for his recently formed Palm label and had been active on many fronts in jazz since the end of the 50s. The French bandleader/pianist/composer/sound engineer had already recorded, in the preceding months other American musicians who would go on to have great careers: Byard LancasterKeno SpellerClint Jackson IIIKhan Jamal… Gilson therefore offered Baikida Carroll the chance to record his first album under his own name, which would be the 13th release on the label. Carroll logically asked Oliver Lake to join him. He also recruited Manuel Villaroel, a young Franco-Chilian pianist from the group Machi-Oul, who had already released an album on Futura in 1971 and would release another on Palm in 1976. The group was completed with the addition of Brazilian percussionist Naná Vasconcelos, who had just released a well-received album on the Saravah label. They were ready to enter the studio for the 3rd, 4th and 5th June 1974.
The first side of the album is divided into two long tracks which send free jazz back to its long-lost African roots. The opener “Orange Fish Tears” indeed rolls out a jungle of percussion of all sorts and sizes -the whole group is involved- which weave and mix together reaching a point where all bearings are lost, lending a sense of wonder to the majestic entry of the brass and woodwinds, flying suddenly out from the undergrowth. “Forest Scorpion” (sic) is a real voodoo ceremony where a venomous percussive groove backs the fiery solos from keyboards and saxophone in a furious trance. A warning; after these two tracks listeners are physically and emotionally wiped out!
The other side is more introspective. Deliberately using dissonance and repetition, “Rue Roger” -the only composition by Oliver Lake– in a long dialogue between trumpet and saxophone, could almost remind us of Terry Riley in his favourite ballpark. “Porte D’Orléans”, the fourth and final track on the album, has the group back to their old tricks in a long hallucinatory jam which owes as much to the contemporary music of György Ligeti as to the most angst-ridden Jerry Goldsmith soundtrack music (remember the heavy chords which beat through “Planet of the Apes»).
With these two sides, and in under 45m, Baikida Carroll and his musicians show just what they can do, from cerebral to charnel without ever simplifying things. This is an indispensable album if you are a fan of free-wheeling avant-garde music from the Art Ensemble of Chicago to Sonic Youth and including Shabaka Hutchings and Rob Mazurek. For those with good taste, in other words.

we only have a very few, $42