Yuji Takahashi, Joji Yuasa

Yuji Takahashi CD “Meikai no Heso” Edition Omega Point

A collection of small pieces of tape music by renowned composers, that haven’t been talked about very much. All of them are premiere release on disc.

tr.1 Yuji Takahashi (1938 -), Meikai no Heso (The Umbilicus of Limbo, 1963)

It is also known as Window to Antonin Artaud, or The Umbilicus of Limbo. it was performed in a version of tape and instruments – poetry reading of the French poet Antonin Artaud, which was modified on the tape, and bass instruments as well as percussion instruments. This is a live recording of Musicians Group: New Direction at Sogetsu Art Center, conducted by Toshi Ichiyanagi. At the beginning of the concert, Kuniharu Akiyama gave his commentary about the piece.

tr.2 Kuniharu Akiyama (1929 – 1996), Jo-un Keiji sho (1987) It is a segment of a body of work Sound Gift, that was commissioned by WDR (Westdeutscher Rundfunk) for a show to celebrate John Cage’s 75th birthday. A short text, “Kumo Kumo-wo Joshi Keiji-suru (Kumo=Clouds, Keiji=Cage)”, which was a poetry reading by Akiyama, was looped in the tape, which then overlapped with Haiku about clouds (including English and German), words related to Zen ( in which Cage immersed himself), and sounds. By the way, an English version of Haiku was read by Ayuo Takahashi.

tr.3 Yoriaki Matsudaira (1931 -), Constellation (1984)

This is a work by using UPIC device developed by Iannis Xenakis (which can translate graphical images into sound). Here is Matsudaira’s commentary.

“I decided to draw the constellation which we can see in Japan, and chose to fade in colours depending on the brightness of each star. Each of us was supposed to indicate the tone by images, and I remember that I decided to divide the sky into four sections to change the tone little by little.

tr.4 Yoshio Hachimura (1938 – 1985), Catch in the air (1973It was produced in 1973 at NHK Studio of Electronic Music. Some Japanese traditional instruments, piccolo, tuba, violin, piano as well as electronic sounds were edited on the tape. Its sharp materialistic sound is characteristic of this composer.

tr.5 Toshi Ichiyanagi (1933 -), Music for Film Shikisokuzekuu (1974) The visual of Shikisokuzekuu is described as follows; A letter of Heart Sūtra is projected one by one on the screen rapidly. From the middle of the film, religious paintings appeared with subliminal effect, and flickering vivid colours were added. That gave the audience a dizzy sensation.” The music is mixed barbaric rhythm, electronic sound and Japanese traditionalnt.

$20

Special edition with bonus CDR $35

Somei Satoh CD “Echoes” – Edition Omega Point

Emerald Tablet + Echoes

$22

Kuniharu Akiyama CD “Environmental Music of dining Room” Edition Omega Point

$22

Joji Yuasa CD “Music for film Gengitsu” Edition Omega Point

In 2017, Genjitsu was shown at the Kobe Planet Film Archive. It is a film created in 1966 by a director Tetsuji Takechi, known as a legend of Showa eroticism. But this film has been hidden somewhere somehow from the public for a long time. The film’s story focuses around a prostitute and has a strong fantasy literature style to it as one may have guessed from its title Genjitsu (Sun dog; an optical phenomenon that consists of a light source alongside of the Sun in rare climate condition).

Actually, among some music tapes that I got from Mr. Yuasa, there was indeed one with the same title. However, since the existence of the tape recording was unknown at the time, I was convinced that it wasn’t “tape music” and I left it untouched for quite a while. Hearing news of the film screening made me check what is on this tape carefully. Overall, the sounds were “prosy” with a lot of silence as well as reoccurring sounds of a prepared piano and sounds created presumably by playing inside of the piano (it is likely to have been amplified). But they were also an accumulation of experimental sounds with elements of tape music such as parallel playback with vocal pieces, delay (or tape echo) and ring modulator. In chapter 2, female jazz vocal is inserted.

According to the Kobe Planet Film Archive, the following names are included in the players list. Toshi Ichiyanagi (maybe inside play of piano), Masao Yagi (jazz piano in chapter 2), Yasukazu Amemiya (percussion).

Fantastic !

Regular edition $20

special edition with bonus CDR $50

Joji Yuasa Kuniharu Akiyama CD “Music for puppet Thetre Hitomi-za” Edition Omega Point

$20

Joji Yuasa CD “Ai no ue” Editions Omega point

2nd Edition

Aoi no ue composed 1961 for voice and tape and based on The tales of Genji written by Murasaki Shikibu in 11th century.
My blue sky (No.1) composed 1975 for tape.

Tape parts realized at NHK Electronic music studio.

Edition Omega Point Archive Series OPA-001.
Limited edition of 500 copies.

$20

Puppet Wipes LP

Puppet Wipes LP “The stones are marching & they can be a handful” Siltbreeze

Puppet Wipes is the latest source of audio levitation for Arielle McCuaig (Hairnet,Janitor Scum, Vacuum Rebuilders) & Kayla MacNeill (Singing Lawn Chair, Vacuum Rebuilders) who conjure up their extraordinary odds bodkins out of Calgary, Alberta. Label fact checkers will note that Puppet Wipes are the 1st Canadian band ever signed to the Siltbreeze roster. That only took three decades. Anyway, their debut cassette from a couple years back, ‘It’s Called Punk, Are You Stupid?’-supposedly recorded in an hour-was a fetching melange of art damaged hoopla that sounded like it might’ve taken a spin around the Amos & Sara/It’s War Boys universe. On this one, the course settings remain seemingly intact, yet further realized. Plus it took a tad longer than 3600 seconds to behold. There’s a quote by the master of superfluousness, May Benot, that goes, ‘When the unconventionalists convey their art, which is by nature, unconventional, then does unconventionalism become part of a post conventionalist-conventionista?” Whatever you say, Mrs. Doublespeak. I’m not sure I even know what that means, but if I were a betting man, I’d say Puppet Wipes have it in spades.

Edition of 250, comes with 11″x17″ poster/insert. RIYL; Lemon Kittens, Your Mom Too, Doof, Dave E. McManus, XV.

$23

Tomoyuki Aoki & Harutaka Mochizuki LP

Tomoyuki Aoki & Harutaka Mochizuki LP “Tomoyuki Aoki & Harutaka Mochizuki LP” Nashazphone

Vinyl LP pressing. Reissue of the now long sold-out debut album (2014) by the guitar and saxophone duo of Aoki Tomoyuki (Up-Tight) and Harutaka Mochizuki. Initially limited to 200 CD copies only, this record features nine, reverb drenched, mourning pieces characterized by this duo’s specific melancholic language via guitar and alto saxophone. Immediately evoking the Velvet Underground inspired electric and echo filled ballads of Les Rallizes Dénudés, it is also augmented with haunting horn improvisations simultaneously reminiscent of Anthony Braxton and Kaoru Abe.

This is one of my favorite album recorded in the last decade !

$23

Elodie LP Enteha

Elodie LP “Enteha” A colourful storm

Andrew Chalk and Timo van Luijk embody a bold, free-spirited approach to music making whose improvisational processes can be traced to a distinct period of Europe’s post-industrial landscape: the former’s Ferial Confine project finding a home on Broken Flag (Ramleh, Kleistwahr) while the latter co-founded Noise-Maker’s Fifes, a Belgian audiovisual project employing unusual homemade instruments. 

More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring (and exposing) the tension between composition and free play. Their individual lists of collaborators boasts a certain fin-de-siècle faction of the avant-garde: Christoph Heemann, Giancarlo Toniutti, David Jackman and Colin Potter, to name but a few, have recorded with Chalk while van Luijk has also welcomed Heemann as well as a guard of other artists including Raymond Dijkstra, Kris Vanderstraeten and Frederik Croene.

Elodie’s first documented recording, 2011’s Echos Pastoraux, betrayed a musical interplay of extremely accomplished standards, Chalk and van Luijk’s pastoral mise-en-scène daubed with Daisuke Suzuki’s Asiatic elements creating a sound world at once mystical and eerie. A figment of two imaginations, Elodie materialised almost fully formed with each subsequent recording patiently revealing glimpses into a world concerned with time dilation, the phantasmagoric and spirits of the everyday.

Enteha is one of the duo’s more subdued and melancholic pieces and can be seen as a human response to seasonal transition, foretold by the concluding passages of 2020’s Le Nid d’Ivoire. It’s one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. The delicate hues of autumnal haze. The deceptive optimism of morning light. A work of supremely understated beauty, Enteha develops at an hypnagogic, if not unconscious, level and will appeal to anyone who finds solace in Harmonia, Gas, Joanna Brouk, Roberto Musci, Zoviet France and other investigators of pastoral arcana. 

So nice to have a new and beautiful album from this lovely duo

$22

Ichiyanagi- Michael Ranta – Takehisa Kosugi LP

Preorder, copies are on the way

Toshi Ichiyanagi- Michael Ranta – Takehisa Kosugi LP ‘Iskra 1975’ Metaphon

Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to arrange a studio session in the NHK Studio in Tokyo, with presence of sound engineers. What was supposed to be a soundcheck for this session became the session itself: a haunting 50-minute séance of intense avantgarde improvisation using a large instrumentation and live processing (tape echo, ring modulation, phasing). A trident travelogue of the momentum masterfully controlled by the ensemble spirit, transcending the boundaries of psychedelic underground.

Official reissue of this underground classic from 1975, originally released in a tiny edition on the small Japanese Iskra label.
As the original master tapes of these recordings seem to be lost, the master had to be taken from an unplayed original LP copy. It was carefully restored and mastered by Jos Smolders with amazing result.

$23

Gu-N LP

Release date : July 1st

Gu-N LP

ltd to 385 copies -Silkscrened jacket with obi (tan, orange or black) & inserts, liner notes by Michel Henritzi

Formed in 1994 by Hidenobu Kaneda (Yuragi), alongside Fumio Kosakai (Incapacitants, Hijokaidan, C.C.C.C.) , Ikuro Takahashi (Fushitsusha, Kousokuya, LSD March), Ryuichi Nagakubo (C.C.C.C., Yuragi), and Morihide Sawada (Yura Yura Teikoku, Marble Sheep), Gu-N played regularly at Plan-B in Tokyo, but released little during their relatively short time together. Hazy and hypnotic, their laminar improvisations, four of which appear on this untitled album, are compelling, oneiric visions for the ear.

In his liner notes for the album, Michel Henritzi writes that these Gu-N recordings situate the group within a broader trajectory of free improvisation and collective sound within Japan – Taj Mahal Travellers, East Bionic Symphonia, Marginal Consort, each of whom sprung, in many ways, from the radical vision and creativity of Takehisa Kosugi. But there’s a unique spirit here that aligns Gu-N with these predecessors, while also marking out singular territory.

Kosakai’s background in noise, via his participation in Hijokaidan and Incapacitants, can be heard in the unrelenting oscillations and heavyweight drones that purr throughout each of these four tracks. Both Kosakai and Nagakubo were members of C.C.C.C., perhaps the clearest precursors to Gu-N in their psychedelic density, though Gu-N trade in C.C.C.C.’s volcanic energy for a more tempered, sensuous exploration of tone and time.

There’s also a brutish element to Gu-N’s improvisations – see the saturated spectrum, rumbling and phasing throughout the album, and the crushing, almost Amon Düül-esque drum tattoos that Takahashi pounds out on the second track (recorded in 1998), punctuating the music from deep inside its hallucinatory murk. Elsewhere, as on the third track (one of three recorded in 1994), Kosakai’s cello scrapes out armfuls of buzz-tone as Sawada’s bouzouki trills out, elastic and vibrant, across spindrift electronics and lung-spun winds.

What’s most impressive here, though, is the way each player, formidable musicians in their own right, defers to the might of the communal and the collective. The quintet broke up in 1998, leaving behind scant recorded evidence – just one, self-titled CD, on Pataphysique, released in 1995. This LP is a most welcome addition to the small but blissful body of recorded work made public by this mysterious quintet of spirit channelers.

24€

C.I.A Debutante LP

C.I.A Debutante LP Dust – Siltbreeze

Second album on Siltbreeze the CIA Debutante duo – formed by Paul Bonnet (Disposition Matrix) and Nathan Roche (Le Villejuif Underground)

Dust finds our heroes at the top of their game; the captivating je ne sais quoi formed around vocal recitation & percolating electronics has been honed to perfection, moving them beyond whatever references were made in the past into a catagorization where they are known as ‘Themselves’.

$24

Camp One LP

Camp One LP “Revengeful is the mask of darkness” Zaius Tapes

Some 40 years after it’s release, Camp One’s sole album from ’81 remains as mysterious as ever, the quartet of D Jones, I Good, L Williams & P Sage still hiding in plain sight. Ask any deep digger you might know, it seems none of them can shed any light on this stunning, enigmatic lp. There are those who’ve never seen a copy, let alone heard it. Speculation here, an educated guess there, not exactly Captain Kidd’s treasure map. ‘Revengeful’ doesn’t fit neatly into any niched genre; its almost a Baroque-like, outsider take on Prog Rock & Postpunk at once, eccentricity crackling off it’s grooves. Imagine if you will, the fattier bits of A Moore’s oeuvre, the suet of L Voag + the gristle of Mark Perry, all baked into a most succulent Yorkshire pudding for the ears. After a recent Negative Reaction reissue, this one is a nice addition to some obscure and hard to categorize stuff

$24

Tori Kudo 9CD box

Tori Kudo 9CD+DVD box ” Tori Kudo At Goodman 1984-1986″ Voice of Ghost

SOLD OUT

Tori Kudo / Maher Shalal Hash Baz LP

Tori Kudo / Maher Shalal Hash Baz LP “maher goes to the worldly frequency”

Ltd to 205, each copy comes in a pasted Deutsch Grammophon recycled jacket, so they are all different

comes with a risograph booklet.

We don’ t have many !

$48

Suitons / Guys’N’Dolls (Tori Kudo) CD

Suitons / Guys ‘N’ Dolls CD

Suitons tracks were previously released by Uramado records as a ltd CDR. This CD version has 8 tracks morecovering Guys ‘N’ Dolls repertoire

Tori Kudo, Takuya Nishimura & Ikuro Takahashi recorded in 2014 and 2007

$19

Marteau Rouge & Haino Keiji CD

Marteau Rouge & Haino Keiji CD “Concert à Luz 2009” Fou Records

Jean-Marc Foussat, Jean-François Pauvros, Makoto Sato & Haino Keiji

$17

Mikami Kan CD “Sono Saki ni mieuru mono” Operiko Records

New and concise album…It’s a short one but maybe one of the most interesting for years

Carboard jacket with insert; sorry for the price but I haven’ t any wholesale and only have a few

$35